A tour in Munich, Bavaria is certainly not complete without a visit to the imposing Nymphenburg Palace. The palace was used to be the summer residence of the Kings of Bavaria, and it is now famous not only for its collection of artworks, but also for housing the Schönheitengalerie or the Gallery of Beauties.
The Gallery of Beauties is a collection of 36 portraits of the most beautiful women in Munich. The portraits were commissioned by King Ludwig I of Bavaria, a man known for his eccentricity and his love for beauty. German portrait painter Joseph Stieler painted the 36 portraits, featuring women from royalty (including King Ludwig's relations), nobility, and middle-classes, the latter group were shown wearing elaborate dresses and hair accessories despite their humble backgrounds. In 1861, Friedrich Durck painted two more portraits for the Gallery of Beauties (the portraits of Anna Greiner and Carlotta von Breidbach-Bürresheim).
Berengaria of Navarre, Queen of England. Engraving from c.1890.
Berengaria of Navarre, consort to one of England's most beloved and best remembered kings, Richard I (the Lionheart), had a distinction in history as the only Queen of England never to set foot in England, well at least during her husband's lifetime. Just as in the case of early medieval English queens consort, little is known about Berengaria's life, and this what makes her more intriguing for me. She lived in a time of many historical events and yet she was overshadowed by more forceful personalities of that time (Richard the Lionheart and his mother Eleanor of Aquitaine). Berengaria is one of my favorite historical character, and I have always looked up to her as a beautiful, intelligent, compassionate and courageous woman, deeply devoted to her husband. But beauty and devotion were all seemed wasted. Richard, although undoubtedly the ideal warrior-king and the epitome of a chivalrous knight, was far from being the ideal husband (and the ideal king), and his treatment of Berengaria reveals a rather cold and callous side of his personality.
Princess Margaret has always struck me as a very lovely young woman. I just love her large, piercing blue eyes, her dazzling smile, and her beautiful coloring. She was very elegant and glamorous. No wonder she was a fashionable figure during the 1950s, and was always named as one of the best-dressed women at that time. This beautiful princess is indeed the embodiment of elegance and charm. It is just kind of sad that she spent the last days of her life in isolation and loneliness.
I found a rather interesting article about the creation of Johann Strauss's "Olga-Polka". Strauss is one of my favorite composers and Olga-Polka one of my favorite music. I was amazed to find out that it was actually composed by Strauss as a dedication to Grand Duchess Olga Feodorovna of Russia, sister-in-law to Tsar Alexander II.
This is what the article says about the music:
The Olga-Polka was created because of a Russian imperial wedding which took place in St. Petersburg on August 20, 1857. On that day, the music-loving Grand Duke Mikhail Nikolaievich, youngest brother of Tsar Alexander II, married Princess Cecilie of Baden. At that time, Johann Strauss was giving concerts in Pavlovsk. He used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian imperial family and composed the Cecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on August 16, 1857. The performance of the Cecilian-Polka in Pavlovsk caused a sensation in St. Peterburg, and was praised for its "truly genial Viennese sounds full of verve and melody".
Since tradition demanded that the German princess Cecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Cecilien-Polka also underwent a change of identity. On December 8, 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: "Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden". It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on November 1, 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung observed: "The Olga-Polka is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms".
Grand Duchess Olga Feodorovna of Russia
nee Princess Cecilie of Baden
"Princess Marie was already famous for her beauty: she had wonderful eyes of such a rare shade of grayish blue that it was impossible to forget them. Her figure was tall and slender as a young poplar, and she bewitched me so completely that I followed her about like a shadow. I spent sleepless nights conjuring up her lovely face. Once, she kissed me; I was so happy that I refused to let my face be washed that night. She was much amused to hear about this act of boyish infatuation, and many years later when I met her again at a dinner given in London at the Austrian Embassy, she reminded me of the incident."
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